Martín Abad And River Stones Sculptor For 44 National Salon Of Artists

Abstract

This article argues from the art language an approach to model representation of Martin Abad and participation in the Otún group for the 44 National Salon of Artists, from two times. The first Art-Nature defined from philosophical, aesthetic and biological postulates the founding pillars of questions about artistic creation Otún group; here an area of particular interest for the group is defined as well as for Abad, through his career. The second moment Postproduction- River Stones Sculptor exposes building strategy that complements the first moment of theoretical inquiry, presenting from art, the relevance of the installative work for the Artists’ National Salon